![]() To prevent audio from slipping out-of-sync due to user error – and to reduce timeline clutter – FCP X keeps clips as combined a/v sources. The good news is that you have the choice between single and dual viewers depending on your task. These can be displayed in a horizontal or vertical arrangement. Having this second viewer does add some cool new features, like the ability to have scopes with each viewer. There is also no way to gang source clips and timelines together. It’s a bit disconcerting for muscle memory and some editors, who initially clamored for it, have found it less useful than they’d hope. In a two-monitor configuration, you have to skim the thumbnail or filmstrip of the event clip on one display, but watch the viewer on the other screen. You cannot skim or scrub with the mouse directly from within this window. Source clips show in the Event Viewer while the main Viewer only displays the project timeline image. You now have the option to change this behavior by opening a second Event Viewer window. As you move between a source clip in the Event Browser and the project’s edited timeline, the Viewer display toggles between these two images. The Unified Viewer was a huge shock when FCP X was first released. Plus, there were a number of feature and interface changes to round it out – many of which appear to be in direct response to user feedback.ĭual viewers. The Pro Apps engineers made good on the bullet points that were pre-announced at NAB – dual viewers, multichannel audio editing, MXF plug-in support and RED camera support. ![]() ![]() By the end of the day, the App Store lit up and the various online forums were buzzing. On the same day Apple launched the iPad mini, the fourth generation iPad, a refresh of the iMac line and the addition of a 13” MacBook Pro with Retina display, Apple also quietly released the 10.0.6 version of Final Cut Pro X.
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